ENGLISH: El Viaje is Zule Guerra's first in-studio album, her previous releases being recordings of live performances. All of the compositions are hers, and with a stellar lineup of JoJazz winners plus Ernán López-Nussa's deft touch as producer, this is a thing of beauty.
ESPAÑOL: El Viaje es el primer álbum de estudio de Zule Guerra, sus lanzamientos anteriores son grabaciones de actuaciones en vivo. Todas las composiciones son suyas, y con una alineación estelar de ganadores de JoJazz más el toque hábil de Ernán López-Nussa como productor, esto es algo bello.

ENGLISH: Escape is the debut album of Alberto Lescay & FORMAS, a group that represents the best of the best of the NuJazz movement in Cuba. If you have been worried about the future of music in Cuba, this album is an instant cure.
ESPAÑOL: Escape es el álbum debut de Alberto Lescay & FORMAS, un grupo que representa lo mejor de lo mejor del movimiento NuJazz en Cuba. Si estuviera preocupado por el futuro de la música en Cuba, este álbum sería una cura instantánea.

With "El Que Corta El Bacalao" Yanesito has set the bar high, releasing what will be one of the best albums of for Timba 2017.

The splendid new album by Harold López-Nussa is an intense blend of Afro Cuban, African and Jazz ingredients.

This is like finding buried treasure - the best of an extraordinary Jazz/Fusion concert from the 1990s comes back to life. If you live outside of Cuba, you may not know about Estado de ánimo, but its members - Ruy López-Nussa, Roberto Carcassés, Elmer Ferrer and Descemer Bueno - made some of the best Cuban music of the decade together. Nominated for Cubadisco 2015 awards in Jazz and Musical Documentary.

Eterno Formell, which won an Extraordinary Prize in Cubadisco 2015, is a very imaginative reworking of several classic Juan Formell compositions. Like Juan's personal musical experiments in life, some of these new versions stand out more than others, but the best of this project shows pure genius on the part of the arrangers, and the artists are superb.

A hard-hitting new release by NG La Banda. Excellent arrangements, funny when it wants to be, Los Metales del Terror are in action, some solid Timba with a dash of Cuban Jazz, Conga/Merengue, Rumba and Bachata in the album.

This eclectic album, like the body of Moncada's work, incorporates a wide array of the different genres that have contributed to the evolution of Nueva Trova. Moncada, a multiple award winner in Cuba, is receiving an increased amount of attention in the United States after its recent appearance on Conan and an article in Rolling Stone. This review takes you a little deeper into their music.

Some of the best elements of the Cuban dance music of the 70s return with a vengeance, but with new compositions and fresh blood. The album's title is quite accurate: it is VERY funky, Cuban, and relentless.

Rising percussionist Daniel Peña's debut solo album, Eleven, a Latin Jazz project, includes cameo appearances from the likes of Tito Puente Jr. Richie Ray and Marlow Rosado along with very well-crafted arrangements and considerable drive.

This is the well-done debut Timba recording by a former member of Gente de Zona and includes some heavyweights like Alexander Abreu and Amaury Pérez in the brass section.

This 2013 nominee for a Cubadisco award in the Jazz Cubano category showcases Juan Carlos Marín, who may now be Cuba's best Jazz trombonist, along with an excellent ensemble performing some modern Jazz and Jazz Fusion material. It is also yet another entry in Colibri's "The Young Jazz Spirit" series, which so far has consistently proven to be excellent.

This is the second album by Manuel Valera's New Cuban Express (the first was nominated for a GRAMMY in the Latin Jazz category and a Cubadisco in the Jazz Cubano category), and it is every bit as powerful and moving as the first. It has currently been nominated for a Cubadisco (Jazz Cubano)

An ingenious Afro-Cuban tribute to, but NOT a cover of, Miles Davis' Kind of Blue. Miles was here, but this recording is very much Omar's.

Harold López-Nussa may not be as famous as uncle Érnan yet, but if he keeps putting out recordings like his one, that will change in time.

Given the amount of water that's passed under "the bridge" for the amusingly enigmatic character known as "El Médico de la Salsa", it's no wonder that the historic release of "El puente" has rekindled the many controversies swirling around the current state of music and politics in Cuba and the United States. Fortunately, "El puente" also has the power to make us forget such annoyances and remember why we're drawn to this music in this first place. This live double CD captures the torrid adrenaline rush of the live Timba experience as no commercial recording ever has...