Indice - Table of contents
Lo Nuevo[hide]
Resenas: Vacilón Santiaguero (Circle 9 ...
Staff: Bill Tilford
Fotos: Tom Ehrlich : 2024 Monterey Jazz, P...
Fotos: Tom Ehrlich : 2024 Monterey Jazz Fe...
Fotos: Tom Ehrlich : testing 123
Grupos: Pupy y los que S... : Discography - 1995- F...
Reportes: From The St... : Cubadisco 2...
Reportes: From The St... : Jazz Plaza ...
Fotos: Tom Ehrlich : Irakere 50th Annivers...
Fotos: Tom Ehrlich : Irakere
Resenas: Joey Altruda Presents: El Gran ...
Timbapedia: 09. Interviews -... : Carlos del Pino ...
Fotos: Tom Ehrlich : 2023 Monterey Jazz Fe...
Fotos: Tom Ehrlich : 2023 Monterey Jazz Fe...
Fotos Del Día [hide]
The Roots of Timba, Pt I - 1946-Cangrejo fue a estudiar
1946 Arsenio Rodríguez - Cangrejo fue a estudiar
xx0x 0xxx 0xx0 xx0x 2-3 son clave
0x00 xx00 x000 xxx0 MIDI example
bassist: Nilo Alfonso
source: Montuneando
notes: This is an even more expressive example of Arsenio's "singing bass" (bajo cantado) innovation. The first 3 notes of the bass tumbao double the melody of the word "cangrejo", the next two reinforce it rhythmically, and the last three supply a countermelody.
Arsenio's greatest and most prolific period was arguably from 1946 to 1951, with Lázaro Prieto on bass and Lilí Martínez on piano. Dundunbanza and its companion volume Montuneando contain about 40 classic tracks from this golden era, but leave out some of the very best tracks, some of which can be found on Tumbao's "Legendary Sessions" CD (with Chano Pozo), and in the transfers of Emiliano Echeverría. Even still, there are quite a few tantalizing listings in the Díaz discography that have apparently never been transferred.