Good news for Cuban music fans: Los Premios Lucas or Lucas Awards in inglés, has just launched a homepage! If you are not familiar with the Lucas Awards, they are Cuba's annual award show for music video. Founded in 1995 and held under various names during the early years before finally being named Lucas, the program presents the best in Cuban music video ranked on a weekly basis. Each year around November there is an award ceremony for the best videos of the year. Over time Lucas has grown from an awards show to a festival of Cuban music video. It is a true gala event including live concerts. The Lucasnómetro allows fans to comment on their favorite videos, making the awards a genuine reflection of the preferences of the Cuban people.

For those of us outside of Cuba, the only way to follow Cuban music video has been via Cubavision and YouTube, but with the launch of the new Lucas website, we can all easily keep up-to-date with the latest videos. Number 1 right now is Bailando by Yuly y Habana C, Buena Fe & Descemer Bueno are Best Debut with Ser de sol debuting at Number 8 and Havana D'Primera has had the Biggest Jump with Al final de la vida at Number 4. There is also a section where you can watch the winners from the 2011 Lucas awards. Go check it out!

Premios Lucas even has a facebook page that you can "Like" to keep track of important updates.

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continue reading Timbera Mayor

SALSA RUEDA FESTIVAL LAS VEGAS
CLICK HERE TO REGISTER for the 2012 SALSA RUEDA FESTIVAL LAS VEGAS
August 3-5 2012 -- Flamingo Hotel & Casino Las Vegas
888-373-9855

Be a part of the first annual Las Vegas Salsa Rueda Festival: The Party of the Year! Do not miss this unique event coming August 3-5, 2012 in Las Vegas, NV by the producers of the Salsa Rueda Festival in San Francisco.

SPECIAL PERFORMANCE by Miami's EL PIKETE on Saturday August 4th

* All-star instruction with the best of Cuba, Europe, and the US!!   20 workshops to choose from in Cuban Salsa, Casino, Rueda de Casino, Son, Mambo, Folklore and more with some of the best instructors from the States, Europe and Cuba.   
* Performances by the Salsa Rueda Festival Vegas Instructors 
* Performances by U.S. and local dance companies
* Casino Jack & Jill Competitions Re-invented
* Social Rueda de Casino Competitions
* Guerilla Rueda on the Vegas Strip
 * No Last Call for Alcohol!
 * The best dance tunes from DJ Walt Digz and MV

Happy to announce that our Italian correspondent CUBASOYYO, in collaboration with Corazón Timbero, present Alexander Abreu y Havana D' Primera in concert , Tuesday July 24 2012 at the Villa Caribe Resort - Via Ortale, snc, Spigno Saturnia (LT).

On the California homefront, Los Angeles favorite, Andy García & Cineson singer and ex-Arte Mixto lead singer IRIS SANDRA with be debuting her new original project -- an intimate sextet -- in support of her latest album Dos Palabras at...

MAMBO's CAFÉ
1701 Victory Blvd. Glendale, CA 91201
Phone: 818 545-8613 Fax: 818 545-1149

F.Y.I. FIRST SHOW SOLD OUT! 
Happy to report a second show has been added for that same night. 

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continue reading Pa' Ponerte en Talla

Cuban music in the United States isn't limited to the cities on the coasts; In between a club (Coconut Beach) that has hired Charanga Habanera twice in two years along with actively pursuing other Timba bands and a locally-based band, Grupo Aché, which plays some Songo and TImba (including some Los Van Van covers) as well as the Salsa one might normally expect, Louisville Kentucky is emerging as an important  location for spreading awareness of Timba music in the central United States.   Read more about this and see concert photos of Grupo Aché  here. 

An important African source of Afrocuban music is what is now the country of Benin, and one of Benin's most important bands, Le Tout-Puissant Orchestre Poly-Rythmo, is currently on tour in North America.   We recently caught them in concert and asked the band some questions. Read the review and interview and see concert photos of the band here. 

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continue reading Sin Clave No Hay Na

(para leer en español oprima aquí)
Story and photos by Bill Tilford, all rights reserved 

“What we have here is a failure to communicate…….”  

As I look at everything that has been happening in the Timba music  concert scene in the United States over the past two years, I am reminded of Aesop’s  fable about the little shepherd boy who cried “wolf”.  For those of you who are not familiar with that story, the short version is that a little shepherd boy falsely warned the villagers about a wolf attack on the sheep in order to bring them running out to the pasture.  After he did this twice, and the villagers came running both times only to learn that there really was no wolf, the villagers vowed to ignore him.  The third time that he cried out, there actually was a wolf, but the villagers ignored him because of the previous false alarms, and the flock of sheep was lost.   In a way, we are faced with a similar problem regarding potential audiences for large Timba concerts in the United States now. There is an atmosphere of understandable skepticism among many of the fans, and those of us who work professionally with the music whether as musicians, agents, promoters, managers, venue owners, writers, media figures etc., will need to put our heads together and try to figure out ways that we might be able to address that skepticism.    This problem was already present before the New York concert, which did at least end with a concert. There was also some collateral damage from this event - a lot of discussion in the industry about possible longer tours by individual bands associated with the concert failed to become actual tours.  

I have seen and heard comments in other places questioning whether some of the bands originally advertised for the May/June 2012 New York concert were ever really signed in the first place.  After examining all of the evidence available to me, it appears that even if all of the original bands had truly been signed and confirmed the number of tickets actually being sold   would still not have been enough to permit a concert of the size originally announced, and it still would probably have been economically necessary for the organizers to “downsize” the concert   ( although I don’t know the actual number of tickets sold, the change from the Armory to the Copacabana would not have been practical if thousands of people had already been buying tickets).   Under these circumstances, it is difficult for me to criticize the fact that a smaller concert was the finished product. However, the handling of the public communications aspects of that process was absolutely horrible.   

Since I am also a brass musician myself, I can tell you that since the same brass section was performing throughout the concert, it was probably a good thing that they didn’t play for six full hours – unless the song list was carefully paced to give them plenty of rest, hour six would not have been pleasant for the musicians or the audience.  But here again, there was a serious communications failure between the organizers and the ticket holders.....click here to continue reading.........  

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continue reading Sin Clave No Hay Na