Lo Nuevo[hide]
Resenas: Vacilón Santiaguero (Circle 9 ...
Staff: Bill Tilford
Fotos: Tom Ehrlich : 2024 Monterey Jazz, P...
Fotos: Tom Ehrlich : 2024 Monterey Jazz Fe...
Fotos: Tom Ehrlich : testing 123
Grupos: Pupy y los que S... : Discography - 1995- F...
Reportes: From The St... : Cubadisco 2...
Reportes: From The St... : Jazz Plaza ...
Fotos: Tom Ehrlich : Irakere 50th Annivers...
Fotos: Tom Ehrlich : Irakere
Resenas: Joey Altruda Presents: El Gran ...
Timbapedia: 09. Interviews -... : Carlos del Pino ...
Fotos: Tom Ehrlich : 2023 Monterey Jazz Fe...
Fotos: Tom Ehrlich : 2023 Monterey Jazz Fe...
Fotos Del Día [hide]
PRIMERA PLANA - FRONT PAGE
New Cuban Music Videos & Updates - 2012, Feb 6
New HDP - Sara González R.I.P. - Island of Music Documentary - Charanga w/ Yulién
The latest Alexander Abreu & Havana D' Primera video features dance guru Maykel Fonts and the London-based Key2Cuba dancers. This video is dedicated to, and in memory of the writer, Simon Gavron and directed by Kerry Ribchester. The video tells the story of two Cuban boys who grow up in the same barrio fighting and enacting an 'Eye for and eye, tooth for a tooth ' mentality with each other until Alexander Abreu shares with them his philosophy of rising above injustice with elegance.
Nueva Trova Icon Sara González has died - Singer-songwriter Sara Gonzalez, one of the original voices of the New Cuban Song Movement, has died in Havana, official media reported. She was 60. Gonzalez produced music for film, television and radio as well as her solo albums, and she also participated in several album collections. She studied guitar and viola and began her professional career in the early 1970s as a member of the musical group Los Dimos and in an occasional duo with singer-songwriter Pedro Luis Ferrer. During the course of her career, Gonzalez shared the stage with artists such as Joan Manuel Serrat, Mercedes Sosa and Pete Seeger, among others. source
New Cuban music documentary "Cuba: Island of Music" - , Filmmaker Gary Keys' tribute to Afro-Cuban jazz, the film is a behind-the-scenes look at music's role in the daily life of Cubans. Filmmaker Gary Keys (Memories of Duke and Dizzy's Dream Band) brings the audience into the heart and soul of Havana, through a vibrant mosaic of street musicians, big bands, dancers, religious rituals, and classic cars. Keys shows us Afro-Cuban music in New York City, with the music and commentary of jazz legends Billy Taylor, Candido Camero, and Chico OFarrill. See the full 1:17 minute film here.
New timbatón video: Vampira Malvada Charanga Habanera feat Yulién Oviedo - courtesy of our Italian reporter extraordinaire Cuba Soy Yo.
continue reading Pa' Ponerte en Talla
2012 - The Year of the Bass
Feliciano Arango's Note-for-Note NG La Banda Transcriptions
Legendary NG La Banda bassist Feliciano Arango (winner of the timba.com readers' poll in that category) and his co-author, bassist Cherina Mastrantones, have finished their second book (first book here). This one has all the best NG tracks transcribed all the way through and joins Standing in the Shadows of Motown as one of the best bass books every written. I hope to join that list in about a month with a book on Alain Pérez, but more on that laterl
As someone who has spent far too much time transcribing Cuban basslines, I'm knocked out by the choice of material and the quality of the notation to say nothing of the subject. I rank Arango among the four most creative and inspired tumbao creators - the other three being Humberto Perera, Pedro Pablo Gutiérrez and Alain Pérez. I've got Alain covered - with four books plus audio and video coming soon (also Melón video), and Rob Holland keeps threatening to write a book on Humberto, who's also covered in Roots of Timba. That leaves Pedro Pablo. We only have this. Hopefully Rebambaramba, or someone else, will bring Pedro on tour soon.
Meanwhile, Arango's current group, Los Hermanos Arango, will be "in residence" at Berklee School of Music for 10 days in late February and there are encouraging signs that they may play elsewhere (Chicago perhaps). Their visas are good until July, so if you have any suggested venues, please write in. [Kevin Moore]
Cuban Music News - In Brief - February 1 2012
Michel Maza arrested - Son Yoruba - Xavier Mili - Habana D' Primera
**BREAKING NEWS - MICHEL MAZA UPDATE**
Michel Maza condemned to 25 years in prison in Lima, Perú
for armed robbery with a concealed weapon.
Recently Harper's Magazine writer Daniel Alarcón wrote a feature about Perú's Lurigancho prison. "All Politics Are Local". Excerpt here = http://harpers.org/archive/2012/01/hbc-90008428
Michel Maza arrested in Lima - The famous ex-Charanga Habanera singer Michel Maza was arrested in Lima, Perú for an alleged hold-up of a taxi driver. Money, a cellphone and a radio were taken with a concealed weapon, a serious charge in Perú that can carry a sentence of up to 25 years. Other charges allege drug use. There is talk that he will be deported to Cuba. source
Live in Havana - The Havana weekly listing is up. Would be great to hear about the new Sello LA, Monica y su Máquina, and Tania Pantojas line-ups.
Papo Angarica y Son Yoruba - New track Juégala is currently #1 on RADIO TIMBA. The version of "El Jonrón" we have features Tania Pantoja (ex-Bamboleo) but the a new live Azucar Negra version can be heard here = http://www.youtube.com/watch?v=tZ_E1a6hTcI
New single from Miami: Xavier Mili's "Ya Sé Lo Que Tu Quieres" - Grandson of Los Záfiros creator Nestor Mili, Xavier Mili has made Miami his home working with local bands, most notably El Pikete, and on regional television Channel 41. Check out his new single here.
New Habana D' Primera Video Premier (Al fin de la vida) heats up London - One of London's original salsa dance events - El Rumbón Cubano - is featuring HDP's new video of "Al fin de la vida" on February 9nth. Dance teacher Kerry Ribchester directed the video. In related news, the video screening aslo includes Bamboleo’s "La Que Manda (Mujeres)" and Los Van Van’s "Me Mantengo", which was nominated for Music Video of the Year in Cuba's Lukas Awards.
Upcoming Cuba y Puerto Rico projects...
1- Tres legend Francisco "Pancho" Amat to record album with Andy Montañez - Cuban musician Francisco Amat, recognized as one of the most talented treseros in the world, plans to record in 2012 a CD with the Puerto Rican singer Andy Montañez. "It is a project we did together some time ago to reflect the musical relationship between the two countries. I expect to complete it before the end of the year", Amat told Prensa Latina. Amat also announced as part of his plans for 2012 the realization of a CD with the Cabildo del Son, a group he founded in the 1990s. source
2- Danny Rivera new documentary "La música es mi aliento" - Puerto Rican singer Danny Rivera and young Cuban instrumentalists make up the cast of documentary "La musica es mi aliento" (Music is my breath), dedicated to the Cuban singer Adriano Rodríguez and directed by local composer Edesio Alejandro. With this film, Rivera, who is also a guitarist and producer, will pay tribute to Adriano Rodriguez. Composer Edesio Alejandro is directing. source
3- 20-time Latin Grammy winners Calle 13 filming a documentary in Cuba - Puerto Rican reggaetón duo Calle 13 is currently filming a documentary in Cuba, official media said Monday, citing band member René Pérez, a.k.a. "Residente." Pérez said that he traveled to Cuba on a motorboat and that it was "a great experience, a little dangerous but nice at the same time." The duo's new documentary is being directed by Puerto Rican filmmaker Lidy Paoli López. Residente and Visitante attended a concert offered by Cuban singer-songwriter Silvio Rodríguez last Thursday at the National Museum of Fine Arts in Havana.
continue reading Pa' Ponerte en Talla
Timba and The United States, Part I: The Globalization of Timba
by Bill Tilford
(La Timba y Los Estados Unidos, Parte I: La Globalización de La Timba)
This is Part I of a series of articles about the status of Timba in the United States, covering both international and U.S.-based groups. para leer este artículo en español oprima aquí
(Photo by Tom Ehrlich)
The genre called Timba, like Jazz, has been declared dead by some music critics more than once over the past several years. Like Jazz, it is very much alive, but our favorite tropical genre does face some of the same challenges for a variety of reasons. These articles will examine those reasons in depth and discuss some possible ways that the community of musicians and supporters of the music might help address some of these. We will be covering several topics over time, including the music press, radio, audience tastes, financial risks and other related issues.
The first thing that we need to do is point out that while Timba was born in Cuba, and Cuba remains its epicenter, the genre has also become a truly international movement for three reasons:
• Over the last couple of decades, it has developed an international fan base. In addition to Cuba, Timba music is now (thanks to both recordings and extensive live tours) popular throughout several Latin American countries, much of Europe, parts of Asia and Africa, and it has a fan base in North America as well.
• Some Cuban musicians that play Timba reside all or part of the time in other countries, and they have introduced the music to both new musicians and new listeners.
• Musical groups that play Timba have been formed in several countries. In some cases, these groups play very high-quality music music of high caliber at a very sophisticated level. Just a few of the examples are Mayimbe in Peru; Calle Real, La Tremenda, Gilito y su Clave, La Jugada and Soneros All Stars in Sweden; Monica y su M.P. in France; Pan Con Timba and Doble Jugada in the Netherlands; Contrabando in Belgium; Grupo Danson in Denmark; Jose Torres y Salsa Tropical in Poland, and El Zorro in Switzerland. Within the United States, Tiempo Libre, Timbalive and the Pedrito Martinez group play Timba. Some bands such as Rumbankete now play both Timba and Salsa.
What does all of this mean? For openers, after almost two decades, we can safely say that Timba is an established genre rather than a passing fad, and it has a truly global listening audience, as well as a truly global musical community that plays and enjoys the material. These are important points to remember as we examine the status of Timba within the United States.
Next: Timba’s Initial Reception in the United States
continue reading Sin Clave No Hay Na