David Murray is at Yoshi's this weekend (not with Melón), but here he is on youtube with Melón playing a killer solo on El bodeguero - Melón's solo begins at 7:30. Check it out, meng.

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As everyone knows, timba geeks are as superstitious as baseball players, so I'm releasing Volume 11 of Beyond Salsa Piano, the second on Pupy Pedroso, at 11:11 today, 11-11-11 (Nov. 11, 2011). The convergence of all those elevens was just too tempting. And if you're really a crazy numerologist, consider that PupyPedroso, BeyondSalsa, and TimbaDotCom each have eleven letters! Of course, "coincidence" also has eleven letters ...

But in ANY case, Volume 11 covers Pupy's work with Van Van in the mid-80s, during which time he wrote several of the songs Los Que Son Son now plays live, like El buenagente and Calla calla. For these, we include complete piano/bass charts of the modern versions he's playing now. So, the book (144 pages) and its companion audio product (94 tracks) will hopefully go live at 11:11 a.m. Pacific Standard Time, but there's a small chance that it will get delayed to 11:11 p.m. [Kevin Moore]

LINKS: Physical Book - eBook - Audio Files

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After years of listening to people argue and pull their hair out about clave, and pulling out a fair amount of my own in the process, I finally decided to clarify it once and for all. My premise is that it's impossible to understand this stuff by talking about it - you have to clap, dance and sing it until it's completely ingrained and THEN you'll be able to understand it and talk about it to others without losing your sanity.

With that in mind, there are three main sections. The beginning section - designed for non-musicians - simply teaches you how to clap and name the various clave patterns. The intermediate section uses dancing to clear up all the confusion about "2-3" and "3-2". It never tries to explain a concept until it's gotten you to memorize and become comfortable with a clapping-singing-dancing routine that you can use to relate the concept to.

Finally, the "advanced" section - for true masochists - explains "clave changes", including the really difficult ones like Sandunguera, Se acabó el querer, Todos vuelven and Llegó la música cubana.

There are also some really stunning clave photos by Tom Ehrlich throughout the 90 page book.

LINKS = PHYSICAL BOOK ($15)   -   eBOOK ($10)   -   AUDIO FILES (free)

Free Audio Files: With all the other Beyond Salsa books, the book and audio are separate products, but for this course, you have to have them both for it to make any sense, so the audio files are a free album download. If you are new to the LPM site be sure to check your spam folder so that you can click on the activation link, because you must either login or register to be able to download the free audio album. Let me know what you think! [Kevin Moore]

More book news: I'll be releasing the second Pupy book (Vol. 11) at 11:11 a.m. on 11/11/11 - more on that soon. Meanwhile, Curtis Lanoue's and José Eladio's excellent Afro-Cuban Percussion Workbook now has a companion DVD product which is so well-done that it's inspired me to add a DVD product for the Calixto Oviedo books. Also getting rave reviews is Roberto Vizcaíno's Método para la eseñanza de la Percusión Latina. Vizcaíno and Eladio taught side by side at la ENA (as did Pupy, actually) for many years and are among the most important Latin percussion players and teachers on the planet.

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Both from Café Cócomo in San Francisco - Tomorrow, Monday, is the lecture/demo at Mission Cultural Center at 7:00 and there will be another concert Wednesday night at House of Music in Oakland. Then The Reef on Thursday in Long Beach.

Click Here for Peter Maiden's Gallery

Click Here for Tom Ehrlich's Gallery

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