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Fotos: Tom Ehrlich : 2024 Monterey Jazz, P...
Resenas: Vacilón Santiaguero (Circle 9 ...
Staff: Bill Tilford
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Fotos: Tom Ehrlich : testing 123
Grupos: Pupy y los que S... : Discography - 1995- F...
Reportes: From The St... : Cubadisco 2...
Reportes: From The St... : Jazz Plaza ...
Fotos: Tom Ehrlich : Irakere 50th Annivers...
Fotos: Tom Ehrlich : Irakere
Resenas: Joey Altruda Presents: El Gran ...
Timbapedia: 09. Interviews -... : Carlos del Pino ...
Fotos: Tom Ehrlich : 2023 Monterey Jazz Fe...
Fotos: Tom Ehrlich : 2023 Monterey Jazz Fe...

Photos of the Day [hide]

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Cuba based rap duo, Zona Franka, blends traditional rhythms with the grit and swagger of hip-hop and rap vocal phrasings. Their clever shout choruses create instant tropical dance classics using their unique self-titled "changui con flow" style.
Authentic Latin Music Catalog for SYNC - TV & Film Music

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Wednesday, 27 August 2014, 06:04 PM

Tom Ehrlich's SJ Jazz Photos

Friday-Bootsy, PMO, Bosch

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Bootsy Collins

Jimmy Bosch

Omar Ledezma of PMO

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Friday, 22 August 2014, 02:57 AM

Jorge Luis Pacheco Returns

Look for the return of this phenomenal pianist this fall. He'll be at the Apollo in NY on Oct. 24th in a tribute to Herbie Hancock at the invitation of Quincy Jones. Check for more tour dates at Direct from Cuba.

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Tuesday, 19 August 2014, 01:35 AM

Two New Tom Ehrlich Galleries

Roena at Stern Grove • Chappottín at Kuumbwa

There's still an avalanche of photos from SJ Jazz to come, but for today, we have Roberto Roena and Joe Bataan at Stern Grove (with opening act Vieux Farka Toure) and Conjunto Chappottín at Santa Cruz's Kuumbwa Jazz Center.


Joe Bataan with Roberto Roena

Roberto Borrell (playing clave) with Conjunto Chappottín

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Monday, 18 August 2014, 05:18 PM

Peter Maiden Reviews Hermán Olivera

Club Fox in Redwood City, located next to the Fox Theater, was on fire Friday night August 15 when Hermán Olivera took the stage with Orquesta Taíno. Olivera has a new album out, “La Voz del Caribe,” which was recorded with Venezuelan musicians. Taíno played Olivera’s difficult charts with a solid groove. Percussion was tight and the three-trombone horn section did very well, with some solos reminiscent of Barry Rogers or Juan Pablo Torres. [click to continue reading ...]

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