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Staff: Bill Tilford
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Timbapedia: 09. Interviews -... : Carlos del Pino ...
Fotos: Tom Ehrlich : 2023 Monterey Jazz Fe...
Fotos: Tom Ehrlich : 2023 Monterey Jazz Fe...
Photos of the Day [hide]
La Última
Pepito in Oakland - Friday Night
with Carlos Caro and Jesús Díaz
Pupy alumnus Pepito Gómez makes his third trip to the Bay Area tomorrow (Friday) night at Club Antón, right around the corner from Yoshi's in Oakland's Jack London Square district.
Pepito not only sang with Pupy, but wrote some of his best songs, including Un poquito al revés, containing the title coro of Pupy's epic Tranquilo que yo controlo, one of the best albums of recent years. As always, the lovely and talented Ariacne Trujillo will be the pianist and musical director and this time the rhythm section will consist of Bay Area monsters Carlos Caro and Jesús Díaz. Between sets, it will be Walt Digz, a fabulous timba DJ who always embarrasses me by playing some absolutely brilliant track that I haven't heard, forcing me to sheepishly ask what it is. Let's try to sell this thing out so we can keep shows like this coming! Click here for advance tickets.
Done!
Volume 5 and 8 of Beyond Salsa Piano in Hard-Copy
The first 8 volumes, already available in eBook and digital, and now also online in hard-copy.
Click Here for Hard-copy of V5
Click Here for Hard-copy of V8
Click Here for a master list with all links to all volumes
That's it for a while - I'm going to work on the Beyond Salsa Percussion series and go see some timba concerts!! Volume 9 on Melón will come later this year and be followed by volumes on many other great timba pianists.
No Idea What This Is
... but I love it!
If you know the story behind this, please tell us in the Comments section. Si sabes la historia de este video, explícanosla en la sección de comentarios, ok?
Thanks to "Mr. Elana" for the link.
Third Melón Book Goes Live
Continuing our survey of one of the great Cuban pianists, Beyond Salsa Piano Volume 8 moves on to Deja que Roberto te toque, Brindando con el alma, and La chica del sol.
The first two go deeper than ever into the ways that Melón is able to create continuous variations on the same tumbao, while the section on La chica leads to an interesting discussion of salsa versus timba versus Latin jazz.
At this point, the first eight volumes are all available digitally and only Volumes 5 and 8 are straggling behind in hard-copy form. Volume 9 is in the works but before completing that I'm going to start working on Beyond Salsa Percussion.