Congratulations are in order for Descemer Bueno, Alexander Delgado & Randy Malcom of Gente D'Zona, and Enrique Iglesias who won in three of the four categories for which they were nominated. "Bailando" won Best Urban Song, Best Urban Performance and the coveted Song of the Year. It's great to see Cuban musicians getting such international recognition. There is still a long way to go, since the original version of the song recorded and released in Cuba would probably not even have garnered a nomination (note: this is my opinion and not necessarily the opinion of Timba.com). I hope to see renewed international interest in what is happening in Cuban music as well as a continuation of interational artists collaborating with Cuban musicians, as we have seen with Andy Montañez, Gilberto Santa Rosa and El Canario. Most recently Marc Anthony has released the official video of his version of Polo Montañez' "Flor Pálida" and collaborated with Cuban audiovisual producer Alejandro Pérez, who also produced the "Bailando" videos.

Billboard recently published a good interview with Descemer Bueno titled: "Meet Descemer Bueno, The Talent Behind Enrique Iglesias' Smash Hit 'Bailando'. 

The guys are currently touring Europe and were in their hotel in Paris when the winners were announced. Thanks to Joel Collazo for posting a video of Enrique, Descemer, Alexander and Randy and their reaction to the GRAMMYs.

Best Latin Jazz Album LATIN GRAMMYS 2014

Congratulations also to Paquito D'Rivera & Trio Corrente ("Song for Maura") for their tie with Chick Corea ("The Vigil") for Best Latin Jazz Album. I am not a GRAMMY historian so I don't know how often ties happen. Maybe Bill has more comments in this area.

deja un comentario

continue reading Timbera Mayor

A real West Coast treat is in store for next Wednesday, November 26. This Thanksgiving Eve Concert is a Night of Afro-Cuban Jazz w/ Cuban Master Percussionist Calixto Oviedo & his Latin Train In a Tribute to the legendary pianist Bebo Valdés. The performance will feature some of Bebo’s hit songs as well as classic Afro-Cuban jazz standards and Oviedo’s original compositions. 

Tickets here = http://www.flavorus.com/event/Calixto-Oviedo-and-hisLatinTrain/271321

http://www.catalinajazzclub.com/
November 26 at 8:30 pm @ Catalina Jazz Club
6725 W. Sunset Blvd. Hollywood 90028 - Doors Open at 7:00 pm

Then in the Big Apple, we have a 3 night residency -- November 28, 29 & 30 -- with MAYITO RIVERA y la TEMATI-K at González y González, cuminating in a special live video recording with special guests Pepito Gómez, Willie Torres and Pedrito Martínez.

Gonzalez y Gonzalez - www.GyGnyc.com
192 Mercer Street, New York, NY 10012 - (Btwn. Houston & Bleecker St.)
Tel:(212) 473-7878

Tickets here =  www.facebook.com/gonzalezygonzalez/events

deja un comentario

continue reading Pa' Ponerte en Talla

Alfredo Rodriguez and Tiempo Libre both gave exceptional performances in Chicago last weekend.  


For more about the Aflredo Rodriguez concert, click HERE. 


For more about the Tiempo Libre performance, click HERE. 

We lost an important figure in modern Cuban music recently with the passing of guitarist Carlos Emilio Morales, a founding member of the Orquesta Cubana de Musica Moderna and of Irakere.  The Instituto Cubano de la Música posted an excellent article about his life (in Spanish) on November 13 on their Facebook page, which you can visit here.  Rest in peace, Carlos, and thanks for all the great music that you left us. 

deja un comentario

continue reading Sin Clave No Hay Na

Highlights: Luz viajera vocal improv (both of them) (Y2K), Tirso's guest spot on No me mires (Y2K), Tomasito and Yoel's songo con efectos all through Noche de Cristal (autumn 98 I believe).

Seriously - Issac just KILLS it on Luz viajera - the best vocal improvising I've heard.

The fourth contender for the title - the amazing April 2000 Marina Hemingway show - is coming soon, but in the meantime, here's an honorable mention. This is from the same July 1997 Festival at which Charanga Habanera was suspended. All CH did was to perform their regular nightclub show, but Issac omitted the dance contest from Por qué paró. Compare the version here to this one. but the hottest Por qué paró (no video) is this one. And for a full comparison, there's also this one. Which do you like best and why? (please answer in the comments section)

deja un comentario

continue reading La Última