Indice - Table of contents
The Roots of Timba - Part II 
- Juan Formell y Los Van Van
- The Songo Enigma
- Changuito
- Los Van Van's First Album
- The Detroit & ChaChaCha Connection
- The Perfect Storm
- Ritmo Oriental
- Ritmo Oriental's Rhythm Section
- Ritmo Oriental's Answer to Songo
- The Art of the Bloque
- The Conga Marchas of the 70s
- ¡Encendiendo la candela!
- Batumbatá
- Los Van Van for Collectors
- Los Van Van: The Singles
- Another Lost Classic
- Into the Eye of the Storm
- Meanwhile, in another part of town ...
- Transition to Tránsito
- The Album (Los Van Van)
- Discographical Dementia
- Sigue aguajeando Manolo
- Y se baila así
- Ritmo Oriental's First Album of the 70s
-
LVV III - Un poco más lento
- La Ritmo 75: Bailando de todo
- Yo bailo de todo - The Tumbaos
- Yo bailo de todo - The Cuerpo
- Yo bailo de todo - The Bloques
- El Cuerpo Mamey
- Ahora sí, voy a gozar
- ¡Avísale a Teté que la Ritmo e...
- Los Van Van, Volume IV
- The Clave and the Backbeat
- January, 1977 - Tema de saludos amigos
- Compilation Consternation
- Juan Crespo Maza
- "Oye cómo suena mi bajo, qué rico"
- Qué rico bailo yo - cuerpo
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The Roots of Timba - Part II - El Cuerpo Mamey
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transcription edited by Rob Holland
Juan Crespo Maza's cuerpo is a masterful example of pop songwriting -- catchy, deceptively simple, and full of unusual nuances that continue to grow on the listener, such as the abrupt modulations between C major and C minor. Humberto rises to the occasion with a funky bassline worthy of Jamerson himself, complete with virtuosic upward R&B figures in the A section and "walking bass" for the bridge. In addition to composing credits, Maza is listed as the arranger of La chica mamey, Matrimonio feliz, and, possibly the earth-shaking groove la Ritmo ever recorded: Ahora sí, voy a gozar.
