Fotos: Patrick Bonnard
Staff: Ricardo Culque
Staff: Ilán Greenfield
Fotos: Patrick Hickey
Fotos: Tom Bauer
Staff: Michael Lazarus
Staff: Martin Karakas
Fotos: Peter Maiden
Fotos: Cristian Muñoz
Fotos: Tom Ehrlich
Staff: Michelle White
Grupos: Klímax : Fiesta del Tambor - 2...
Grupos: Klímax : Fiesta del Tambor 20...
Musicos: Edmundo "Mundo" Pina
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Beyond Salsa Bass follows the same game plan as Beyond Salsa Piano: five volumes covering the history of Cuban bass playing - from changüí and son to songo and timba - followed by a series of books on individual star bass players.
The first volume of Beyond Salsa Bass to be released is Volume 6, the first on Alain Pérez. It corresponds exactly to Beyond Salsa Piano, Vol. 6 on Melón Lewis. Melón and Alain played together in the historic Issac Delgado group of the late 1990s, creating arguably the most sophisticated and ultra-creative piano-bass tandem in the history of Cuban popular music.
Volume 6 covers two of Delgado's greatest live timba arrangements: No me mires a los ojos and La vida sin esperanza. The piano and bass parts are drawn from extended live performances at the legendary Palacio de la Salsa nightclub in the Hotel Riviera on the Malecón. The bass volume transcribes not only the notes but the many percussive sounds that Alain uses to create his powerful groove. He performed each song in slow motion and in various takes at full speed, making full use of the "controlled improvisation" technique that's so central to both his and Melón's styles. Everything he plays is transcribed in 16th notes, 8th notes, and bass tablature. Volume 6 also contains the first part of Alain's biography, covering his early child prodigy years, his "discovery" by Chucho Valdés, and his initial entry into the Issac Delgado group.
Audio Product: The audio product has the piano alone in the left channel and the bass alone in the right. It includes Alain's slow and fast performances, and the fast performance is also provided in a digitally slowed version. Additionally there are MIDI tracks to accompany the analysis of Alain's style and to cover several auxiliary tumbaos not included in the videos.
Video Product: Alain was filmed with two cameras, one looking directly at him and the other a closeup on his right hand. For every tumbao, we provide three separate videos: a widescreen version of each camera angle and a split screen version combining the two.
**Special thanks to Vasik Greif, Michael Cába and Dayán Abad for making everything happen in Madrid.